Stojce Velkovski joined Audiodrome as a Video Editing and Post-Production Advisor, bringing more than 20 years of experience across television, VFX, digital video, and post-production. His background includes editing roles at Alfa TV, 1TV, TV 24, A1/A2 TV, and FX3X, as well as later work in digital marketing and commercial video production. At Audiodrome, he contributes practical guidance on how music interacts with pacing, narration, scene structure, transitions, and visual storytelling, helping creators choose tracks that work inside real edits rather than only sounding right in isolation.
Professional background
Stojce Velkovski is a video editor and post-production specialist with more than 20 years of professional experience across television, visual effects, digital media, and commercial video production.
His career includes video-editing roles at Alfa TV, 1TV, TV 24, and A1/A2 TV, where his work focused on post-production and the assembly of broadcast video content. He also worked at FX3X in VFX and post-production, with responsibilities including rotoscoping, paint work, match moving, and video editing.
This combination of editorial and technical post-production experience gives him a practical understanding of how image, sound, timing, movement, and narrative structure come together in a finished video.
Editing and post-production experience
Stojce works with tools including Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, Silhouette FX, and SynthEyes.
His editing work requires decisions that go beyond cutting footage together. Music has to work with dialogue, visual rhythm, scene transitions, emotional direction, and the timing of the edit.
A track may sound appropriate on its own but still create problems inside a timeline. The arrangement may become too busy beneath narration, the rhythm may push the edit faster than intended, or the music may not provide enough structure for transitions and scene changes.
That practical editing perspective is central to his contribution at Audiodrome.
Role at Audiodrome
At Audiodrome, Stojce contributes video-editing and post-production expertise to music-selection guidance.
He evaluates how music behaves inside real editing situations, including:
- pacing and cut frequency
- dialogue and voiceover
- scene transitions
- opening and closing sequences
- visual rhythm
- emotional continuity
- music intensity
- loopability
- short-form and long-form edits
- calls to action
- product demonstrations
- interviews and testimonial content